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[lON15] Comparing Two Sound Design Styles:Between Determinism Emergence And Interactivity
Conférence Internationale avec comité de lecture : ISEA 2015, 21th International Symposium on Electronic Art, August 2015, pp.xx, Vancouver, Canada,Mots clés: Emergence, Interactivity, Narration, Sound Installations, Video Games
Résumé:
In the design process of sound installations, the composer designs his sound for a real or a virtual space according to the listener’s walking path. One way to design this walk is to allow the listener to interact with the system via Non-Player Characters . For a given piece, the creator affords the interactor a certain amount of freedom; and the system, according to its level of self-sufficiency, a certain amount of autonomy. We assume that these choices are directly related to design styles: the “scripting style†and the “emergent styleâ€. In the scripting style, the designer takes the point of view of the interactor, who becomes the narrator. In the emergent style, the designer takes the point of view of Non-Player Characters. We have designed two versions, composed in each style, of the same interactive sound installation The Listen-ing Walker. This paper is mainly devoted to a comparative analy-sis of the sound design styles experienced, and to the presentation of the two artistic and development experiences.
Equipe:
mim
BibTeX
| @inproceedings { | |||
| lON15, | |||
| title | = | "{Comparing Two Sound Design Styles:Between Determinism Emergence And Interactivity}", | |
| author | = | " C. le Prado and L. Odeh and S. Natkin ", | |
| booktitle | = | "{ISEA 2015, 21th International Symposium on Electronic Art}", | |
| year | = | 2015, | |
| month | = | "August", | |
| pages | = | "xx", | |
| address | = | "Vancouver, Canada", | |
| } | |||
